Paintings to round out 2016, Friends, Family, Dreamscapes, Costumes

acrylic paintings, contemporary art, figurative painting

Dear Dreamers, Liars, Truth-seekers, etc.,

Whatever the new year brings, let’s never stop creating…

Hereby, some latest efforts … friends and family and pets and all things lovable

12-x-46

“German Visitor,” acrylic, 46″ x 12″

40-x-39

“Tamed Radicals,” (Postdam), acrylic, 40″ x 40″

45-x-35-hudson-river-jpg

“Hudson River,” acrylic, 45″ x 35″

25-x-45-overlook-winter-solstice

“Overlook” (Winter Solstice”), acrylic, 45″ x 25″

 

26-x-40-digital-street

“Digital Street,” acrylic, 26″ x 40″

23-x-40-overlook-summer-solstice

“Overlook,” (Summer Solstice), 23″ x 40″

40-x-20-family-discussion

“Family Discussion,” acrylic, 40″ x 20″

matrix-32-x28jpg

“Matrix,” acrylic, 32″ x 28″

44-x-32

“Statue of Liberty,” acrylic, 44″ x 32″

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Studio Visit, Q&A with me and Sarah Butler

acrylic paintings, art, contemporary art, figurative art, political art, studio visit

Athens Laundry


[[MORE]]STUDIO VISIT: JOSEPHA GUTELIUS
Studio location: A garage (without the car!) semi-attached to my house. The only natural light is west, which makes for interesting shadows, ideal for my purposes.
How long working here? I moved in early August...

STUDIO VISIT: JOSEPHA GUTELIUS

Studio location: A garage (without the car!) semi-attached to my house. The only natural light is west, which makes for interesting shadows, ideal for my purposes.

How long working here? I moved in early August this year, so the studio hasn’t been mucked up much. I’m still trying to keep it clean and neat. Give it a few months.

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THE SPACE

One advantage: I can paint large, larger, largest and cart the canvas out the garage door. Of course, having a new studio feels like a fresh start. I finally have more floor space—my method is to work on the floor, kneeling.

And I have wall space: that’s amazing! The first thing I did when I moved into the new studio, I hung up about 30 of my paintings, it was like seeing them for the first time.

Challenges: Electricity? Yes. But no plumbing: no sink, no toilet. So I do a lot of trudging back and forth.

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THE WORK

I tend to work on several paintings at once and revisit old paintings accordingly. And especially now with the fresh new context of the studio, I see everything differently. I’m thinking I want to go toward interior scenes. Figures, of course. But I haven’t done much with objects, and I plan to.

Recommended Reads?

Ross King’s The Judgment of Paris. Immensely detailed, with a sweeping perspective on what King calls “the revolutionary decade that gave the world Impressionism.” King’s starting point is Meissonier, the Andy Warhol of the 19th century (and coincidentally Salvador Dali’s favorite painter). A brilliant illustration of the relativity of the canon.

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Another seminal book: Lothar Lang’s Expressionist Book Illustration in Germany, 1907-1927. I’ve pored over that book for years—the drama of the line, the black/ white contrast, the spare use of color as “gesture,” an art of protest. Raw and brutal stuff; those paintings can’t be tamed. The basics for me are content and drama.

And the inimitable Lucy Lippard, the art shaman. I don’t necessarily like the art she likes, but I love looking at art through her eyes. I See/ You Mean is a phenomenal novel.


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New work

acrylic paintings, art, charcoal drawing, contemporary art, female artist, feminist art, figurative art, portraits of women

40 x 24 new version18 x 24 new 20160517_113533-145 x 2345 x 23 Robot36 x 24 20160601_074943-1new version

School Days (series)

acrylic paintings, contemporary art, figurative art
School Days (reflections), acrylic on canvas, 23 x 19

School Days (reflections), acrylic on canvas, 23 x 19

School Days (Diaspora), acrylic on canvas, 33 x 32

School Days (Diaspora), acrylic on canvas, 33 x 32

School Days (History), acrylic on canvas, 33 x 25

School Days (History), acrylic on canvas, 33 x 25

School Days (Corridor), acrylic on canvas), 34 x 37

School Days (Corridor), acrylic on canvas), 34 x 37

New Paintings

acrylic paintings, contemporary art, figurative art, Uncategorized
Gutelius, 26 x 19, Push to Open jpg

Push to Open, 26 x 19 inches, acrylic on canvas

Gutelius, 20 x 17, Watch

Watch, 20 x 17 inches, acrylic on canvas

Gutelius, 19 x 15, Marilyn at Walmart

Marilyn at Walmart, 19 x 15 inches, acrylic on canvas

Gutelius, 26 x 20, My Girl

My Girl, 26 x 20 inches, acrylic on canvas

Josepha Gutelius | Paintings

acrylic paintings, contemporary art, female artist, figurative art, male portraits, portraits of women

Experiments … Take a look at the painting “Every Memory Is Older Than You ” — I scraped off the original image.

Gutelius, 20 x 16, Man in the Holocene

Man in the Holocene, acrylic on canvas, 20 x 16

Gutelius, 24 x 18, New Car Smell

New Car Smell, acrylic on canvas, 24 x 16

Gutelius, Another Exit Plan

Another Exit Plan, acrylic on canvas

Gutelius, 36 x 24 Building in Chelsea

A Building in Chelsea, acrylic drawing on engineering paper, mounted on canvas, 36 x 26

Gutelius, 24 x 18 Bracelets

Bracelets, acrylic on canvas, 24 x 18

Gutelius, 29 x 16 Learning to Swim

Learning to Swim, acrylic on canvas, 29 x 16

Gutelius, 16 x 23, Lingerie

Lingerie, acrylic on canvas, 16 x 23

Gutelius, 36 x 24, Every Memory is Older than You

Every Memory Is Older Than You, acrylic on canvas, 36 x 24

Painting process (old versions and new)

acrylic paintings, contemporary art, female artist, feminist art, figurative art, portraits of women

Perhaps because winter is coming, time to hunker down, I’ve been particularly keen on revisiting paintings, never quite content.

Some old versions, and new. Subtle changes, hmmm.

Red Coat, old version, acrylic on canvas

Red Coat, old version, acrylic on canvas

New version, "Red Coat,"  21 x 17, acrylic on canvas

New version, “Red Coat,”
21 x 17, acrylic on canvas

Windswept, old version

Windswept, old version

Windswept, new version, 28 x 17, acrylic on canvas

Windswept, new version, 28 x 17, acrylic on canvas