Studio Visit, Q&A with me and Sarah Butler

acrylic paintings, art, contemporary art, figurative art, political art, studio visit

Athens Laundry


[[MORE]]STUDIO VISIT: JOSEPHA GUTELIUS
Studio location: A garage (without the car!) semi-attached to my house. The only natural light is west, which makes for interesting shadows, ideal for my purposes.
How long working here? I moved in early August...

STUDIO VISIT: JOSEPHA GUTELIUS

Studio location: A garage (without the car!) semi-attached to my house. The only natural light is west, which makes for interesting shadows, ideal for my purposes.

How long working here? I moved in early August this year, so the studio hasn’t been mucked up much. I’m still trying to keep it clean and neat. Give it a few months.

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THE SPACE

One advantage: I can paint large, larger, largest and cart the canvas out the garage door. Of course, having a new studio feels like a fresh start. I finally have more floor space—my method is to work on the floor, kneeling.

And I have wall space: that’s amazing! The first thing I did when I moved into the new studio, I hung up about 30 of my paintings, it was like seeing them for the first time.

Challenges: Electricity? Yes. But no plumbing: no sink, no toilet. So I do a lot of trudging back and forth.

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THE WORK

I tend to work on several paintings at once and revisit old paintings accordingly. And especially now with the fresh new context of the studio, I see everything differently. I’m thinking I want to go toward interior scenes. Figures, of course. But I haven’t done much with objects, and I plan to.

Recommended Reads?

Ross King’s The Judgment of Paris. Immensely detailed, with a sweeping perspective on what King calls “the revolutionary decade that gave the world Impressionism.” King’s starting point is Meissonier, the Andy Warhol of the 19th century (and coincidentally Salvador Dali’s favorite painter). A brilliant illustration of the relativity of the canon.

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Another seminal book: Lothar Lang’s Expressionist Book Illustration in Germany, 1907-1927. I’ve pored over that book for years—the drama of the line, the black/ white contrast, the spare use of color as “gesture,” an art of protest. Raw and brutal stuff; those paintings can’t be tamed. The basics for me are content and drama.

And the inimitable Lucy Lippard, the art shaman. I don’t necessarily like the art she likes, but I love looking at art through her eyes. I See/ You Mean is a phenomenal novel.


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New work

acrylic paintings, art, charcoal drawing, contemporary art, female artist, feminist art, figurative art, portraits of women

40 x 24 new version18 x 24 new 20160517_113533-145 x 2345 x 23 Robot36 x 24 20160601_074943-1new version

A painting dare

acrylic paintings, art, contemporary, contemporary art, female artist, figurative art, male portraits, political art

What to say about this painting…  I’m aiming for substance that isn’t substantial, a body that is more molecular than flesh.

Memoriam, 18 x 24, acrylic on canvas

Memoriam, 18 x 24, acrylic on canvas

Paintings and drawings sold recently

acrylic paintings, charcoal drawing, contempory art, figurative art, watercolor

This August I hosted an open studio. Met some great people and made some sales. Here’s my goodbye to my babies…(I’m trying to remember them all!) Alas, there are two I don’t have photos of.

Classic Bardot, drawing on paper

Classic Bardot, drawing on paper

"Good Boy," print of original (lost) charcoal drawing

“Good Boy,” print of original (lost) charcoal drawing

"Power Index" watercolor on paper

“Power Index” watercolor on paper

Watching through Windows,  acrylic on canvas,  22 x 30

Watching through Windows, acrylic on canvas, 22 x 30

Sidewalk Post,  acrylic and original drawing 28 x 16 jpg

Sidewalk Post, acrylic and original drawing 28 x 16 jpg

"Bouquet," oil on canvas, 16 x 20

“Bouquet,” oil on canvas, 16 x 20

Smiling Man

acrylic paintings, contemporary, contemporary art, female artist, figurative art, male portraits, political art, prison, realist art

Getting down to the raw canvas

for raw texture

Smiling Man, acrylic and original drawing, 26 x 15

Smiling Man, acrylic and original drawing, 26 x 15

The Male Figure — portraits of men — drawings, paintings

acrylic paintings, art works on paper, charcoal drawing, contemporary art, drawings, figurative art, male portraits, pen and ink drawings

“Unknown Man,” charcoal on paper, 11 x 9

“Power Index,” drawing

“Berlin Boys,” graphite and wash on paper

“Checkmate,” acrylic on canvas, 30 x 23

“Reflections,” graphite on paper

“Either Way,” drawing on paper

“Good Boy,” charcoal on paper

New charcoal study for painting series “School Days”

acrylic paintings, charcoal drawing, contemporary, drawings, female artist, feminist art, painting study
"School Days," charcoal on paper, 8" x 10"

“School Days,” charcoal on paper, 8″ x 10″