Art as Therapy, “Branding” or not?

acrylic paintings, art, contemporary art, contemporary painting, female artist, figurative art, portraits, portraits of women

One visitor to my studio remarked (or was it a complaint?) that I have “too many ideas” — I should stick to one idea and develop it. I got the same advice (or complaint) in art school. One of my art professors was a painter of directional signs. His work was shown in one of NYC’s best galleries. I recently looked him up online to see if, forty years later, he was still painting directional signs. Yes! There they were, painting after painting of arrows. Arrows pointing up, pointing crossways, pointing down, etc. So, he had a brand — to borrow from corporate marketing — easily identifiable, uniquely his. And me? Do I have a brand?

Child Looks at the Dance of Life (Munch) 16 x 24 inches
Give him flowers (studio view) each 10 x 12

Me? I start from the inside. I focus on whatever’s bothering me. Or what intrigues me. The past year, for example, I was faced with an upcoming court date and constant, nightmarish anxiety. How to alleviate my anxiety? I was tempted to throw paint against the canvas – expressionism!

Instead, I discovered a simple therapy: I focused on details, tiny intricate shapes, dots, triangles, stripes, using my trusty ink pens and fluid acrylics and acrylic markers and occasional watercolor pencils. Will I go on “developing” my “patterned” paintings? Probably not.

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Like the Mirror when Nobody’s Looking

acrylic paintings, art, contemporary, contemporary art, female artist, male portraits

It’s as if you’re dead and looking at life through a veil, someone said to me at my recent solo show of my work.

Not a bad analysis — because I don’t paint from life. 

My companions in my studio are fluctuating moods and passing thoughts and squelched memories bubbling to the surface. 

I paint because I like being off-balance. 

Teacher 

Leave your sleepy rivulets to trickle down my wrist,

Teacher. Put up a mirror for an answer

so I can ask the same question

twice

            Seal shut last year’s envelopes, your lesson’s feral cabinet,

            Say, The mirror is facing the wall, your secrets are safe

            Don’t ask me,

            “Dear little cobweb: why so brooding, mysterious, and  quaking?”

            Don’t say, “I’ll seize this and this and this”

Leave everything alone as is

            like the mirror, when nobody’s looking

“Afternoon Dust”
“A Hard Rain’s Gonna Fall”
“Selfie with Jenny”

Inhabiting New Earth

acrylic paintings, art, contemporary art, female artist

My paintings are often gut-reactions to news reports or to issues I care about. In my latest series, “Inhabiting New Earth,” I’m approaching the 2020 Pandemic from various perspectives — family dynamics,  Zoom meetings, Covid isolation, and all the many societal cataclysms we are faced with in this “new earth.” 

Grillz

Silence of Nowhere

acrylic paintings, art, contempory art, female artist

“Silence of Nowhere” — my latest series, still ongoing, of the inbetween, in limbo, etc. Landscapes, seascapes, people… Some of these are parts of 2 panels…like frames of a film (not all pictured here).

Landscapes are a new adventure for me, and a solace. They should mirror the inscape, not just add to the canon of pretty-pretty. Some of these paintings are a combination chalk pastel and acrylic and ink.

Ashurst30.48cm x 40.64 cm 12 x 16

 

 

30 x 20 Ice Flow

Silence of Nowhere 3

 

40 x 40 Silence of Nowhere

16 x 20 At Sea

Gutelius, Halleluyah, 20 x 18

16 x 28 Family.jpg

New charcoal study for painting series “School Days”

acrylic paintings, charcoal drawing, contemporary, drawings, female artist, feminist art, painting study

"School Days," charcoal on paper, 8" x 10"

“School Days,” charcoal on paper, 8″ x 10″