Summer Happenings

acrylic paintings, contemporary art, female artist, figurative art, male portraits

Summer has come to the Hudson Valley and my hometown of Saugerties is celebrating the arts with a crazy amount of enthusiasm. Take a scenic drive to Saugerties, the “top ten coolest small towns in the U.S.,” according to Budget Travel Guide —  and see:

Sculptures on the sidewalks, paintings in the shop windows (Partition Street Wineshop is hosting one of my paintings — pictured below), a group show in the historic Dutch barn behind Kiersted House Historical Museum (my “Tudor” painting pictured below is included in the show), Saugerties Artists Tour (my studio is open to visitors August 11, 12), a kickoff to the Artists Tour at the magnificent Opus 40 Museum, plus, going into the fall, there’s “Saugerties is an Art Gallery” (a town-wide exhibition) and ShoutOut Saugerties in October… Yeah, Saugerties is very cool.

And I am deeply grateful for the honor of receiving a generous grant from the Barbara Deming Memorial Fund for my series “Silence of Nowhere.” The check arrived in July and the first thing I did was order 12 cans of spray varnish. Thank you, Barbara Deming (1917-1984) — a feminist, lesbian, poet, writer, and nonviolent activist in the civil rights, anti-war and women’s movements. In 1975, when she founded the Fund, she said, “In my life I’ve been helped as a writer to do my work. I think it’s fair that I try to help others.” (quoted from the Deming website)

I’ve been working a lot in ink, combined with acrylic and pastel — reworked old paintings, started lots of new ones — ……. and depicting a lot of men.

Deming Award

 

18 x 24.jpg

 

36 x 24 landcape.jpg

 

40 x 30 .jpg24 x 16 build20 x 30sizeit.jpgManscape 40 x 30 .jpg18 x 20 lounger.jpg18x20 Man lounging.jpg20 x 12 ink acrylic.jpgPartition street website.jpg

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Silence of Nowhere

acrylic paintings, art, contempory art, female artist

“Silence of Nowhere” — my latest series, still ongoing, of the inbetween, in limbo, etc. Landscapes, seascapes, people… Some of these are parts of 2 panels…like frames of a film (not all pictured here).

Landscapes are a new adventure for me, and a solace. They should mirror the inscape, not just add to the canon of pretty-pretty. Some of these paintings are a combination chalk pastel and acrylic and ink.

Ashurst30.48cm x 40.64 cm 12 x 16

 

 

30 x 20 Ice Flow

Silence of Nowhere 3

 

40 x 40 Silence of Nowhere

16 x 20 At Sea

Gutelius, Halleluyah, 20 x 18

16 x 28 Family.jpg

Review of My Show by Lynn Woods

acrylic paintings, art, contemporary art, female artist, studio visit

via Josepha Gutelius

Review by Lynn Woods, Hudson Valley Times, August 21, 2017

Josepha Gutelius, an award-winning poet and playwright who gave up writing to paint full-time in 2015, makes collage-like, disjunctive narratives in a figurative expressionist style that has echoes of German Expressionism and the punk sensibility of the 1980s. Neon pink, red, orange, yellow, blue and green are combined with graphic black to unseat expectations in large-scale scenes of family gatherings, groups of schoolchildren, and portraits. The glaring colors are often accompanied by intrusions of sci-fi-like elements. Areas of abstract patterns suggesting trippy hallucinations. A spiraling chaos of what looks like rubble, distant nebulae and rotating disks (tires? bangles? flying saucers?) below the image of a woman’s face suggest infra-red images and by extension top-secret maps and investigations by the military. It’s as though the artist is an interrogator unearthing the vertiginous fears, fantasies and queasy anxieties lurking just beneath the surface of society’s banal superficialities. Based on her own photos as well as images collected on-line and from newspapers, Gutelius’ investigations of notions of family and institutional life, class, war, religion, fashion, leisure, art, and other aspects of contemporary American culture undercut the sentimentalized or glamorized appearances characterizing such subjects in advertising and social media. While Pop appropriated from the techniques of commercialism, thus in a sense glorifying them, Gutelius portrays the seamy underbelly, the alienation, cruelties, vulnerabilities, and inhumanity underlying  exploitations. The self, within such a culture, is a shaky construct, and commercialism’s hawked pleasures are delusional. In the painting Psychic Beach, for example, the crowded beach, viewed from above, as if from a drone, flatten the scene, depicting corpse-like sunbathers as tense, awkward, and uncomfortably exposed, their proximity to each other claustrophobic. “The most I can hope for is to make paintings that have some kind of presence, that startle, that aren’t just wall coverings,” writes Gutelius in an email, noting that “art is a commodity and famous art and artists are brands.” She describes her subject as “the half-told story, the precarious balance between knowing and not-knowing, where the physical and metaphysical are constantly intertwining.” Many of her scenes pivot between interior and psychological states to the public, technological and even cosmic. The work is cinematic in its abrupt juxtapositions. Besides film, Gutelius’s work also references art history, often ironically. In Vibrational Museum, a work in acrylic and colored pencil, a figure rests against a background covered in rows of narrow pink, yellow and gray rectangles. The piece could be read as an interpretation of a Agnes Martin painting onto which Gutelius, lampooning Modernist orthodoxy, has superimposed a figure, complete with shadow.

The Art of New Beginnings, 2017

contemporary art, female artist

Moving into my attic studio for the winter, crowded with old discarded paintings and storage items.

Still, it’s a place to work, yeah. And it’s time for me to post new beginnings! Some from my pool-hall series, one attempt at a landscape, a continuation of my Family series.  “Valentine” is one of two companion works that are companions of my poem “Valentine” (widely published these days).

Last, but not least,

as always, a nudge from the angsty political landscape.

Gutelius, Coming Soon 39 x 22

“Coming Soon,” acrylic, 39 in. x 22 in.

Blonde Bait 38 x 22

“Blonde Bait,” 38 in. x 22 in.

Gutelius, Easy to Pick Up 19 x 39

“Easy to Pick Up” acrylic on canvas, 39 in. x 19 in.

Gutelius, 40 x 25, Demo

“Demo” acrylic on canvas, 40 in. x 25 in.

Land and Sea 28 x 22

“Land and Sea” acrylic on canvas, 28 in. x 22 in.

Family 38 x 39

“Family” acrylic on canvas, 38 in. x 39 in.

45 x 31 Valentine 2

“Valentine 2” acrylic on canvas, 45 in. x 31 in.

Charcoal 9 x 11

Untitled, charcoal drawing on paper

School Days (series)

acrylic paintings, contemporary art, figurative art
School Days (reflections), acrylic on canvas, 23 x 19

School Days (reflections), acrylic on canvas, 23 x 19

School Days (Diaspora), acrylic on canvas, 33 x 32

School Days (Diaspora), acrylic on canvas, 33 x 32

School Days (History), acrylic on canvas, 33 x 25

School Days (History), acrylic on canvas, 33 x 25

School Days (Corridor), acrylic on canvas), 34 x 37

School Days (Corridor), acrylic on canvas), 34 x 37