Studio visits

acrylic paintings, art, contemporary, contemporary art, contemporary painting, female artist, feminist art, figurative art, Figurative art on canvas, portraits of women, studio visit, watercolor

It’s always surprising who comes to visit my studio and buys one, two, or more paintings all at once. The most satisfying sales are of paintings I toiled over, off and on, through the years, adding images, rubbing out the images, piling on paint and scraping off the paint. (Paper towels and Isopropyl are a must.)

Then there are the intrepid explorers who venture out to my garden house and patiently pick through all the dozens of paintings I’ve stored there. A lot of those paintings I would call “iffy.” With numbers, scribbles, and secretive messages only a skilled detective can decipher. Thankfully, I’ve had many intrepid explorers coming this year. I’ve posted a few samples here.

And lastly, a journalist from the Daily Freeman happened by one morning, and here I am on the front page of that newspaper with my good friend Elizabeth Shafer (right). Elizabeth, a multitalented, multimedia artist extraordinaire. 

Moods and Patterns

acrylic paintings, art, contemporary, contemporary art, contemporary painting, contempory art, female artist, Figurative art on canvas, studio visit

A visitor to my studio:
“I look around at every painting of yours and don’t see a glimmer of hope.”

Ha-ha.

The joke is, I’m happy as a clam when I paint. The minute I enter my studio my spirits lift. Even in the face of a difficult painting, I’m ecstatic!

So what does an artist make of what people see in her paintings? Do people see what they want to see? Do they see what they don’t want to see?


Some of my favorite shows recently (and best of all, I was INVITED!):
Art & Words, Emerge Gallery — I wrote poems to my paintings and poets wrote poems to my paintings and then I did a painting inspired by a poet.

344 Second Street Troy — the curator and owner, Jean Tansey, herself a wonderful artist, selected a bunch of my paintings to exhibit, especially the larger ones, especially happy about that am I, since I’m painting really, really small lately. (I prefer to think I’m squeezing big ideas into small spaces.)

Albany Center — an email out of the blue invited me to exhibit in this beautiful space in the heart of downtown Albany surrounded by soaring brutalist architecture.
And… upcoming

The one and only Saugerties Open Studio Tour — visit me in my studio August 12 and13,
STUDIO #3 c’est moi ! Visit me, visit me. I love studio visits.

Samhain

Art as Therapy, “Branding” or not?

acrylic paintings, art, contemporary art, contemporary painting, female artist, figurative art, portraits, portraits of women

One visitor to my studio remarked (or was it a complaint?) that I have “too many ideas” — I should stick to one idea and develop it. I got the same advice (or complaint) in art school. One of my art professors was a painter of directional signs. His work was shown in one of NYC’s best galleries. I recently looked him up online to see if, forty years later, he was still painting directional signs. Yes! There they were, painting after painting of arrows. Arrows pointing up, pointing crossways, pointing down, etc. So, he had a brand — to borrow from corporate marketing — easily identifiable, uniquely his. And me? Do I have a brand?

Child Looks at the Dance of Life (Munch) 16 x 24 inches
Give him flowers (studio view) each 10 x 12

Me? I start from the inside. I focus on whatever’s bothering me. Or what intrigues me. The past year, for example, I was faced with an upcoming court date and constant, nightmarish anxiety. How to alleviate my anxiety? I was tempted to throw paint against the canvas – expressionism!

Instead, I discovered a simple therapy: I focused on details, tiny intricate shapes, dots, triangles, stripes, using my trusty ink pens and fluid acrylics and acrylic markers and occasional watercolor pencils. Will I go on “developing” my “patterned” paintings? Probably not.

Like the Mirror when Nobody’s Looking

acrylic paintings, art, contemporary, contemporary art, female artist, male portraits

It’s as if you’re dead and looking at life through a veil, someone said to me at my recent solo show of my work.

Not a bad analysis — because I don’t paint from life. 

My companions in my studio are fluctuating moods and passing thoughts and squelched memories bubbling to the surface. 

I paint because I like being off-balance. 

Teacher 

Leave your sleepy rivulets to trickle down my wrist,

Teacher. Put up a mirror for an answer

so I can ask the same question

twice

            Seal shut last year’s envelopes, your lesson’s feral cabinet,

            Say, The mirror is facing the wall, your secrets are safe

            Don’t ask me,

            “Dear little cobweb: why so brooding, mysterious, and  quaking?”

            Don’t say, “I’ll seize this and this and this”

Leave everything alone as is

            like the mirror, when nobody’s looking

“Afternoon Dust”
“A Hard Rain’s Gonna Fall”
“Selfie with Jenny”

Inhabiting New Earth

acrylic paintings, art, contemporary art, female artist

My paintings are often gut-reactions to news reports or to issues I care about. In my latest series, “Inhabiting New Earth,” I’m approaching the 2020 Pandemic from various perspectives — family dynamics,  Zoom meetings, Covid isolation, and all the many societal cataclysms we are faced with in this “new earth.” 

Grillz

2020: Roman Elegies, graffiti, and…

Figurative art on canvas

May we all enjoy 20/20 vision as we enter a new decade. During 2019 I concentrated on my Roman Elegies series (many of the paintings were sold) in response to a return trip to Rome, one of my favorite cities and surely the most magical, but also a sorely tainted kingdom haunted by silent screams. But nothing is stationary and as usual I explore the constant, energizing flux of  opposites — clarity/mystery, place/displacement.

16 x 24 Roman elegies.jpg

24 x 24 Ghosteen.jpg

24 x 16 graffiti 1.jpg

24 x 16 gra.jpg

16 x 24 rom1.jpg

36 x 12 new.jpg

Josepha 20 x 16 art.jpg

55 x 10  3 panels.jpgFIRST STRREETgutelius_josepha_3.jpg24 x 16 Angels Fall.jpg

 

Artist’s Statement, sold works, new to 2018

Figurative art on canvas

I post regularly on Instagram, so feel free to check out #josephagutelius !

FYI:   Painting for me is a constant, energizing connecting of opposites — place/displacement, certainty/mystery. As a former playwright, I tend to see the figures in my paintings as characters with an implied before and after, where “beingness” itself is relational and in flux. My primary interest is to capture layers of consciousness, the precarious balance of time/ timelessness, the overlap of memories.

I usually work in series, with different subject matter brought together under one theme, such as “School Days,” “The Shape of Water,” “Silence of Nowhere.”In my latest series, I’ve focused entirely on the narrative of masculinity — men clothed, naked, solid, disintegrating. While male painters have traditionally objectified women as sirens, muses, demons, mothers, etc. I am reaching for a holistic depiction of maleness, not as “mankind” but as a specific gender in a state of disarray and off-balance, which reflects my feelings of where I stand today as a female (feminist) artist looking at men– an anxious stance. In my series “Silence of Nowhere,” I’m capturing the sense of expectancy, of looking outward, but also searching from within. My practice often involves taking the same scene and varying it slightly in different panels, like frames of a film, to signify the passage of time. I start with ink or charcoal and add thin layers of acrylic and watch a drama unfold.

2018 I sold more drawings and paintings than I ever have in the past 4 years of switching from being a writer to being a visual artist. Much of the sold work was via ShoutOut Saugerties, the Saugerties Artists Studio Tour, and Emerge Gallery. Also, I must express my thanks to the Barbara Deming Memorial Fund for a generous grant in 2018.

Now, for a look at some new work from 2018, not at all comprehensive, but selections from several ongoing series, including a new series, Roman Elegies (certainly to be continued).

 

shape of water 4 16 x 2020 x 10

 

beers20 x 30 pil

beers20 x 30

20 x 16 roman elegy 2

queen and king 16 x 20

30 x 40 motorcycle

Summer Happenings

acrylic paintings, contemporary art, female artist, figurative art, male portraits

Summer has come to the Hudson Valley and my hometown of Saugerties is celebrating the arts with a crazy amount of enthusiasm. Take a scenic drive to Saugerties, the “top ten coolest small towns in the U.S.,” according to Budget Travel Guide —  and see:

Sculptures on the sidewalks, paintings in the shop windows (Partition Street Wineshop is hosting one of my paintings — pictured below), a group show in the historic Dutch barn behind Kiersted House Historical Museum (my “Tudor” painting pictured below is included in the show), Saugerties Artists Tour (my studio is open to visitors August 11, 12), a kickoff to the Artists Tour at the magnificent Opus 40 Museum, plus, going into the fall, there’s “Saugerties is an Art Gallery” (a town-wide exhibition) and ShoutOut Saugerties in October… Yeah, Saugerties is very cool.

And I am deeply grateful for the honor of receiving a generous grant from the Barbara Deming Memorial Fund for my series “Silence of Nowhere.” The check arrived in July and the first thing I did was order 12 cans of spray varnish. Thank you, Barbara Deming (1917-1984) — a feminist, lesbian, poet, writer, and nonviolent activist in the civil rights, anti-war and women’s movements. In 1975, when she founded the Fund, she said, “In my life I’ve been helped as a writer to do my work. I think it’s fair that I try to help others.” (quoted from the Deming website)

I’ve been working a lot in ink, combined with acrylic and pastel — reworked old paintings, started lots of new ones — ……. and depicting a lot of men.

Deming Award

 

18 x 24.jpg

 

36 x 24 landcape.jpg

 

40 x 30 .jpg24 x 16 build20 x 30sizeit.jpgManscape 40 x 30 .jpg18 x 20 lounger.jpg18x20 Man lounging.jpg20 x 12 ink acrylic.jpgPartition street website.jpg

Journeys, 2018

acrylic paintings, contemporary art, female artist

My work reflects the narrative equivalent of an inner journey. Precise imagery plays on the edges of an untold, half-told story, ever evolving. Even at the point of stillness, there is agitation and transformation, the hint of a promise of action. And action, of course, implies a narrative.

Below: Family Picnic, Baby Daddy,  The Silence of Nowhere (Panel 3), Saugerties By Night.

Silence of Nowhere

acrylic paintings, art, contempory art, female artist

“Silence of Nowhere” — my latest series, still ongoing, of the inbetween, in limbo, etc. Landscapes, seascapes, people… Some of these are parts of 2 panels…like frames of a film (not all pictured here).

Landscapes are a new adventure for me, and a solace. They should mirror the inscape, not just add to the canon of pretty-pretty. Some of these paintings are a combination chalk pastel and acrylic and ink.

Ashurst30.48cm x 40.64 cm 12 x 16

 

 

30 x 20 Ice Flow

Silence of Nowhere 3

 

40 x 40 Silence of Nowhere

16 x 20 At Sea

Gutelius, Halleluyah, 20 x 18

16 x 28 Family.jpg